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Film─怪~天守物語(Japanese Classic Horror :ayakashi~Tensyumonogatari)
Director─永山耕三
Animate─門田秀彥
Runtime─90min
Country─Japan
Age─2006
劇情:
改編自日本文學大師泉鏡花的作品-姬路城天守閣傳說，將之昇華為美麗的愛情故事。由知名日劇「長假」導演永山耕三執導、「在世界的中心呼喊愛情」劇作者坂元裕二編劇，營造出虛幻世界的空靈感。
傳說，終年濃霧繚繞的「白鷺城」，住著一群美麗的女妖，她們被稱為『忘神』。忘神美若天仙，身著華麗外服，不是人，也不是神；不會生老病死，也感覺不到酸甜苦辣；據說只要走入「白鷺城」的人，都會沉醉在忘神的幻象裡，再也不回來…
某天，負責幫領主豢養老鷹的鷹匠-圖書之助，為了尋找走失的老鷹，而在湖畔與白鷺城的富姬公主巧遇，不同世界的兩人墜入情網，情愫逐日發酵，但富姬的姥姥卻警告她不能愛上人類，因為忘神一但愛上人類，力量就會逐日削弱，最後終走向死亡。縱使如此，初識情愛的富姬仍不自禁地與圖書之助發生關係，甚至私定終身；而圖書之助的未婚妻-阿靜，則發現了圖書之助的心一直深愛著富姬，心有不甘的她，自願帶領人類大軍前往白鷺城，因而引發人類與忘神之間的戰爭…
The idea of the "forgotten gods / wasuregami 忘神" may have been drawn from Heine's idea of the Asra, who die when they love (or the production team may have just hit upon the same idea willy-nilly)
The 'forgotten gods' in the anime project a powerful image of female independence - they are almost without exception pretty young women who live in a castle, wearing fine clothes and entertaining themselves with music and dances. There is no men among them and they use their beauty to lure human males in order to eat them. They also sit on a pile of treasures and guard it against any intruder into the castle, which brings to us the next mythical element
This is a Japanese Classic Horror story about love between forgotten godness and human..At the end forgotten goodness and male became two white eagles…
資料來源http://www.wretch.cc/blog/HNVIDEO1
官網: http://www।toei-anim.co.jp/tv/ayakashi/
怪~ayakashi三話中的第二話
三部故事無論畫風美術設或導演都是不同人
片 名─妖獸都市(wicked city)
原 作─菊地秀行
監 督─川尻善昭
導 演─川尻善昭
日 期─1987
簡介
原是日本作家菊地秀行所著的小說，是現代魔幻冒險故事，也是他所執筆的「黑暗護衛」系列首部作品。後來由川尻善昭於1987年製作為動畫電影，並曾於香港上映。1992年，香港麥大傑根據動畫版改編，導演了同名的電影，由徐克監製，黎明、張學友、李嘉欣、張耀揚、李若彤、袁和平、仲代達矢、葉山麗子、碧莉莎等主演。
2006年，德國Variety公司也表示要製作妖獸都市真人電影。
劇情
大多數人類不知道在人類世界之外有一魔界，與人類關係緊張。在數百年前，魔界和人類世界簽定和約，但好戰的魔界激進派分子一直企圖破壞和約。故事以人類瀧蓮三郎為主角，白天他是東京一家電子公司的業務員，但他真正的工作則是人類世界的「黑暗護衛」（闇ガード），為維護和平協定，對抗從魔界潛入人類世界的邪魔。
片中他一登場就遇到了吃男人的蜘蛛女妖。瀧蓮三郎奉命與魔界方面派遣的黑暗護衛麻紀繪聯手，保護兩百歲的重要人物喬瑟貝‧邁亞多到東京，更新兩個世界的和約。經過數次鬥智鬥法後，瀧蓮三郎和麻紀繪這才發現，原來自己才是真正的「重要人物」，因為他們兩人相愛結合後所生下的新生代，可以開創真正和平的新時代。
The narrative is set towards the end of the 20th century and explores the idea that the human world secretly coexists with the demon world with a secret police force known as the Black Guard protecting the boundary. The film is a sexual thriller and uses sex both as a weapon (sex with monsters, rape, oral sodomy and torture) and as a form of romantic expression. The film portrays demons as beings that can walk in human form and seduce their prey much like a Siren instilling castration anxiety in the viewer through use of demons with vagina dentata. The film portrays demons as fleshy beastials sporting tentacles in a way that has manifested itself in other works ever since, enforced further by Yoshiaki Kawajiri character designs in Makaitoshi Shinjuku in 1988. USA comic book creator Todd McFarlane has often cited many designs in his famed comic book Spawn have been inspired by Yōjū Toshi.
The theatrical release runs for 82 minutes, but in certain countries a censored version has been released. The western tag line is "When desire turns deadly, there's no place left to hide..."
The existence of the 'Black World' is known to very few people. For centuries, a pact between the two has been observed to maintain peace, and terms must be negotiated and renewed every few hundred years to continue relative harmony. This time around, there is a militant faction called The Radicals that will stop at nothing to prevent the signing of a new treaty.
Two agents of the Black Guards are charged with insuring the success of the treaty. The human policeman Taki Renzaburo is an electronics salesman by day and a black guard agent by night; his partner Makie, who masquerades as a model, is a beautiful woman from the black world and their mission is to protect a man named Giuseppi Mayart, a 200 year-old man whose presence at the peace treaty signing is critical. The radicals wish to kill Mayart to upset the peace between both worlds.
Director Yoshiaki Kawajiri had just completed his work directing the very dark and gritty segment The Running Man from portmanteau anime Meikyu monogatari (1987) and was asked to direct a 35 minute short on Hideyuki Kikuchis novel. Kawajiri completed the short and after Japan Home Video saw a screening of it, they wished him to make it feature length. The producers Kenji Kurata and Makoto Seya expressed their opinion that the director shouldn’t extend it unless he wanted to. Kawajiri was such a fan of the world, he saw it as an opportunity to explore more characterisation and created more animation for the start, the middle and the end. The project was completed in under a year
Film─Alice
Age─1988
Director─Jan Svankmajer
Runtime─86min
Country─Czech Republic(捷克)
When Alice follows the White Rabbit into Wonderland, so begins this dream expedition into the astonishing landscape of childhood, through many dangerous adventures, and ultimately to Alice's trial before the King and Queen of Hearts.
Czech animator Jan Svankmajer has created a masterpiece of cinema, a strikingly original interpretation of Lewis Carroll's classic tale. Svankmajer's Alice remains true to the absurdity of Carroll's original, but bears the stamp of his own distinctive style and obsessions.
Combining techniques of animation and live action, he gives a new and fascinating dimension to the classic tale of childhood fantasies
千呼萬喚始出來….
談到Jan Svankmajer就不得不介紹他的代表作之一『Alice』
以譬喻來說的話：Jan Svankmajer簡直就是動畫界的卡夫卡阿!
在無論是現今或是過去對於藝術動畫這塊始終屬於冷門文化的台灣環境中
Jan Svankmajer的這部『Alice』.很難得的
是筆者有印象唯一在台灣早期錄影帶店可租到的影片
其實細節的內容在記憶上早已模糊…….
但近年來憑藉著對Jan Svankmajer這位藝術家的興趣與熱情
筆者開始翻開回憶，並抽絲剝繭尋找這部動畫的蹤跡
最後終究入手了這套逸品動畫(話說大陸那邊斷片已久)
所以當我收到它的那天，心中雀躍之程度是無可比擬的!!
在『Alice』中，沒有一樣事物的發展是根隨平時人們所習慣的思考邏輯
場景物件經常轉換，大小外型常改變，雞蛋中可以孵出死亡的生命
在他那處理物件的殘忍中，總是帶有絲許溫柔.....
不可能的組合常被拼湊在一起，令人感到匪夷所思.
Jan Svankmajer對於物件的質感和表現手法抱持相當深切的情感與執著
並認為其所有作品因素必須建立在有『實體』的物體上
即使怪誕，那也還是『真正』的存在我們生活周遭
他將影片當成實驗品，所謂的完整．成熟．理由．與意義
在其認知中絲毫不重要，他是一個沉迷在實驗中的大孩子
片 名─饕餮
年 代─2005
原 作─五斗米
片 長─7min
出 版─香港
《饕餮》是中國古代傳說中的神獸，它最大特點就是能吃。
饕餮是一種想象中的神秘怪獸。這種怪獸沒有身體，只有一個大頭和一個大嘴，
十分貪吃，見到什麼吃什麼，由於吃的太多，最後被撐死。
它是貪欲的象征
《辭海》中記載：饕餮是傳說中的貪食的惡獸。
古代鐘鼎彝器上多刻其頭部形狀作為裝飾
A stylized design frequently found on ancient bronzes interpreted variously
As one animal facing out or two animals facing each other
一部風格詭異的小品動畫.........
簡單的故事投影在人性貪婪現實上，主角最後吃掉了保護自己的母親
而在他將整個城市的人全部都吃光後 開始自嗜
故事分為幾個小章節：
指食(吃手指)
碗食(吃碗)
貓食(吃貓咪)
傢食(吃傢俱)
父食(吃爸爸)
母食(吃媽媽)
我食(吃自己)
